28 November 2010

sunday reading


The woman in the wedding dress waiting for the bus is called Diane, and we lived in the same apartment building years ago. She was training to be a nurse, and I was in my final year of a PhD in ancient history. She lived across the hall, and we would drink chamomile tea together. Sometimes she would discuss her knowledge of hospital procedures. Other times, I would clumsily fight my way through a passage of ancient Greek or explain the significance of ancient bartering.

Sometimes we would hold hands for no reason or pet her cat at the same time. I had planned to fly to Athens and write my thesis, so the night before I moved out, we had a farewell dinner. After a long meal with wine and the retelling of old stories, we made a promise. With my elbows on the kitchen table, and her fingers skating across the vinyl, we agreed that if we were not married by the time we were forty, we would marry each other. Then we made love. I always wondered what happened to her. Los Angeles is a place of nightmares and fantasies.


-The World Laughs in Flowers, Simon Van Booy 


26 November 2010

picture san francisco

all photos by de vetpan











The Ear is an Organ Made for Love

(for Me-K)
 
It was the language that left us first.
The Great Migration of words. When people
spoke they punched each other in the mouth.
There was no vocabulary for love. Women
became masculine and could no longer give
birth to warmth or a simple caress with their
lips. Tongues were overweight from profanity
and the taste of nastiness. It settled over cities
like fog smothering everything in sight. My
ears begged for camouflage and the chance
to go to war. Everywhere was the decay of
how we sound. Someone said it reminded
them of the time Sonny Rollins disappeared.
People spread stories of how the air would
never be the same or forgive. It was the end
of civilization and nowhere could one hear
the first notes of A Love Supreme. It was as
if John Coltrane had never been born.
 
- E. Ethelbert Miller
 
  

i want cake

banksy
mad men
the catcher in the rye

18 November 2010

the cult of mindy


two poems by Mindy Nettifee



The First Time

“…some people think the truth is the worst thing that can happen.
The truth is not the worst thing that can happen.”
-Tony Hoagland


I.
The first time your heart was torn from your chest,
You thought you were dying.
You knew you could not live with the empty space.
So you replaced your heart with metaphors
And set out to create a world where the metaphor was unbreakable.
Now look what you’ve done—
You can’t breathe so you write.
You can’t hurt so you drink rum and pour our pirate chanties.
You can’t want revenge so you leave.

II.
When I see you I have two thoughts:
You are the reason The Smith’s wrote songs,
And my god, you are beautiful.
You are so beautiful
Blinking stars go blind.
But I can see this is going to get ugly.
The metaphors don’t make you feel whole anymore.
You sell out your deepest insecurities for a handful of laughs.
This life has you wound so tight you make grandfather clocks look relaxed.
You hold your body like banks hold money—all locked up.
Your shoulders are glass rocks waiting for the next attack.
But you’ve got it all wrong.
You don’t survive history.
History survives you.
There is no breakthrough without breakdown.

III.
If you’re going to break, shatter.
No explanations.
No limp-legged dog excuses.
No messing with this bullet proof vest fury
So popular with the cops and the presidents.
You’ve got to break like Texas.
You’ve got to take the pain from the safety valve of your heart
And return it to your fists.
Fight your better judgment ‘till you’re sinister again,
‘till your body remembers what it already knows how to do—
bend back
and manifest grief.
Scream torches ‘till you embarrass the enlightened.
Please. No more polite conversations with your death wish.
Give it something useful to do.
Change your life.
Cause I can’t stand to see you like this.
So blue, my eyes turn green in your presence.
Listen—you are so beautiful,
Grass pushes through sidewalk cracks just to kiss your feet.

IV.
Maybe no one ever told you,
But the heart IS a metaphor.
Yours is growing so strong
You’ll have your rhythm back any day now—
Loving like rumours spread.
Dreaming like lunatic spacemen jump from their suits.
Living like you never forgot how.

---

After We Saw Kids Pointing At That Dead Baby Whale


Now that Joni Mitchell lyrics have started to make sense to you.
Now that your beard is no longer a fashion statement,
but a crude three-dimensional graph illustrating
the number of years you pictured her lips while failing her.
Now that you've cried so hard and long the 4th Street
beggars are pressing quarters into your palms.

You know how good it can feel, in its own way,
to be so profoundly disappointed in yourself.
How strangely magnificent, to be this demolished,
to have taken it, as they say, like a man—on the chin, to the testicles—
to have tried to take a bite with your last dangling tooth of dignity
and come away starving and grinning and sobbing.

’Cause really, how much worse can it get?
Short answer: a lot worse.
Don't think about that right now.
You've broken all the promises you never made,
and few that you did, and they turned around
and broke you right back.
So be it. 

From here on out you don't have to pretend
to be perfect, or whole, or even right.
Your eyes can take a vacation
from being windows to your soul.
You can hang out with the other war torn countries,
who you suddenly share a language with.
Poland will show you her scars.
Croatia will teach you card games so cutthroat
you won't be able to speak for days.
Iraq will start accepting your apologies.

It may not feel like it just yet
but you've stumbled upon a kind of freedom.

Your stomach now full of pride,
you can take your expectations off like clothes.
Stand outside in the cool night air
and show off your brand new shamelessness.
Howl if that's your thing.
Scare the neighbor's cat.
Breathe easy.
Notice the Moon's gained weight.

i was ten when i wrote my first poem

 
it's about the sun, 
wind, trees, and flowers.

tomorrow i'll be reading my poems
for the first time here in the bay area.
they're about maps, lighthouses,
bird songs, and losing words.

13 November 2010

two poems



Poem

The heart’s the eye
we cry
the body through.

I want the word
for “to not
map, ever.”


- Graham Foust


---


Poem

You called, you're on the train, on Sunday,
I have just taken a shower and await
you. Clouds are slipping in off the ocean,
but the room is gently lit by the green
shirt you gave me. I have been practicing
a new way to say hello and it is fantastic.
You were so sad: goodbye. I was so sad.
All the shops were closed but the sky 
was high and blue. I tried to walk it off
but I must have walked in the wrong direction.
 
- Matthew Rohrer 

how to unplot a story

or


There are some things one remembers 
even though they may never have happened.
- Harold Pinter

Light Travels

 
common time I follow you un-          
kept secret on 
a basic undersound
 



2 
 
common time I follow you un-
kept secret on 
a basic undersound 
 
this is the first part of the rhyme
allow for sequences of overheard 
 
 
3

this is the first part of the rhyme
allow for sequences of overheard

close the curtains but
playful elaborations of other-
wise arrogant variations keeping
the window open
 



4

close the curtains but
playful elaborations of otherwise
arrogant variation keeping
the window open

as it's wrong to shut
one's eyes to dream
it's raining while it is in fact raining
 



5 
 
as it's wrong to shut
one's eyes to dream it's 
raining while it is in fact raining

ears busied with hearing more than
one voice the stream our tears unmirror
 



6

ears busied with hearing more than
one voice the stream our tears unmirror

or mere error as if
naturally hard of
divided
noise rings in our fears
 



7

or mere error as if
naturally hard of
divided
noise rings in our fears

expands danger within our
long thin hands contract 
across quiet gravel
 



8

expands danger within our
long thin hands contract 
across quiet gravel 
 
narrow fruit tin cans
loss of the white of other eyes
 



9

narrow fruit tin cans
loss of the white of other eyes

song out of mind
 



10

song out of mind

or am I
tethered
so blind a coloring of thought
 



11

or am I
tethered so
blind a coloring of thought

intrinsically fuzzy the sound as
pavement
 



12

intrinsically fuzzy the sound as
pavement

whereas tenses
are
a later
development
 



13

whereas tenses
are
a later
development

limits of a body open 
sea the great sea 
journey
 



14

limits of a body open 
sea the great sea 
journey

how different the grammars of
to think or swim




15 
 
how different the grammars of
to think or swim

reminiscence and extinction
 
  
 
- Keith Waldrop and Rosemarie Waldrop

09 November 2010

Panther


Luis Cernuda
from Written In Water
translated by Stephen Kessler

07 November 2010

quiet heart

Venice in winter, Italy, circa 1920
From Anonymous by Robert Flynn Johnson




don't ask



06 November 2010

these days i find it difficult
to keep songs in my heart

except for this

i'll stay here for awhile

One Train May Hide Another

(sign at a railroad crossing in Kenya)

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
     Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another,
One blaring red uniform another, and another, a whole column. One bath
     may hide another bath
As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple
Hide Life is incredibly complex, as in the prose of Gertrude Stein
One sentence hides another and is another as well. And in the laboratory
One invention may hide another invention,
One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting
By someone after Matisse. One waits at the tracks until they pass,
These hidden doubles or, sometimes, likenesses. One identical twin
May hide the other. And there may be even more in there! The obstetrician
Gazes at the Valley of the Var. We used to live there, my wife and I, but
One life hid another life. And now she is gone and I am here.
A vivacious mother hides a gawky daughter. The daughter hides
Her own vivacious daughter in turn. They are in
A railway station and the daughter is holding a bag
Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by
     the mother's
And has to carry that one, too. So one hitchhiker
May deliberately hide another and one cup of coffee
Another, too, until one is over-excited. One love may hide another love
     or the same love
As when "I love you" suddenly rings false and one discovers
The better love lingering behind, as when "I'm full of doubts"
Hides "I'm certain about something and it is that"
And one dream may hide another as is well known, always, too. In the
     Garden of Eden
Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass
So you can see what else is there. At home, no matter where,
Internal tracks pose dangers, too: one memory
Certainly hides another, that being what memory is all about,
The eternal reverse succession of contemplated entities. Reading 
    A Sentimental Journey look around
When you have finished, for Tristram Shandy, to see
If it is standing there, it should be, stronger
And more profound and theretofore hidden as Santa Maria Maggiore
May be hidden by similar churches inside Rome. One sidewalk
May hide another, as when you're asleep there, and
One song hide another song; a pounding upstairs
Hide the beating of drums. One friend may hide another, you sit at the
     foot of a tree
With one and when you get up to leave there is another
Whom you'd have preferred to talk to all along. One teacher,
One doctor, one ecstasy, one illness, one woman, one man
May hide another. Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one. It 
     can be important
To have waited at least a moment to see what was already there.
 
- Kenneth Koch 

november

last year
i found myself in alaska
wanting to know
what does being cold mean



If only I could see a landscape 
as it is when I am not there. 
But when I am in any place 
I disturb the silence of heaven 
by the beating of my heart.” 
- Simone Weil, as quoted by Anne Carson

02 November 2010

THE GIANTS WIN THE WORLD SERIES!


san francisco is under a GIANT cloud of pot smoke right now. 
life is sweet.